Iβm going to review books a bit differently this year… I want to keep up with more reading so if I commit to a monthly round up, and put it in writing, Iβll do it. Right? Thatβs how resolutions work? Right? Right?!
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Shatter Me (1) / Destroy Me (1.5) / Unravel Me (2) / Ignite Me (3) by Tahereh Mafi

I bought these in 2017 (ish) with a birthday cheque from my wonderful in-laws. Iβm pretty sure I read half of the book straight away and then got distracted by MA assignments. So I returned to them as my first fiction fest in 2021.
Theyβre dystopian, sci-fi, YA books. If you like the βGoneβ series by Michael Grant or βThe Darkest Mindsβ series by Alexandra Bracken, then Tahereh Mafiβs work will be right up your street.
I enjoyed the complexity of the characters; Mafi creates plausible conflict and politics. I am less enamoured of the fact the plot is often driven by romance. Suzanne Collins did this more effectively in βThe Hunger Gamesβ and even Veronica Roth came good at the end of the βDivergentβ series. I feel that if this series was adapted for the big screen, it wouldnβt pass the Bechdel test.
It wasnβt a difficult read and I enjoyed it. But my concluding comment is that Iβve just discovered that there are three more books and three related novellas and I havenβt rushed to buy them…
Rating: β€οΈβ€οΈβ€οΈπ€π€
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The Boy I Am by K.L. Kettle

I have three indicators of a really good book: I stay up far too late reading, I tell other people to read it so I can discuss it with someone and I have to take a break before I pick up a new book (AKA the book hangover). This hit all three.
I notice other reviewers commenting that βThe Boy I Amβ has much in common with Atwoodβs βThe Handmaidβs Tale.β Sure, I can see the obvious parallels often found in dystopian fiction but I feel it shares more with Aldermanβs βThe Powerβ or Blackmanβs βNoughts and Crossesβ series. Subverting the stereotypical roles of race or gender provides a new lens to view systemic problems.
In βThe Boy I am,β flipping the power dichotomy of men and women shines a powerful light on the absurdity of the treatment and oppression of women. There are big teachable moments, like consent, body autonomy and democracy. But I really respect the way Kettle handled the more nuanced examples, that would filed under the everyday sexism category. The smiles. At home, teaching Connor about overt sexism was straightforward; we found it far more challenging to explain why give-us-a-smile-love behaviours and attitudes are toxic. Hearing Judeβs inner monologue as he navigates life with a catalogue of smiles is absolutely genius! It provides a recognisable lived experience for many readers and a new way in for those who have never experienced it.
Theyβre not really criticisms but I have two thoughts. The pace of the action rattles along full tilt even as youβre acclimatising to the world Kettle is building. I sometimes find that disorientating but I know other readers wonβt. Also, the book predominately deals with a dichotomous presentation of gender; when youβre building an entire world in a single novel, I can see why. I would have enjoyed some more playing around at the margins but thatβs just me. Not every book has to deliver everything to every reader.
Like Atwood, Alderman and Blackman, Kettleβs characters are not two dimensional. The protagonists are flawed, you canβt always trust the narrative voice and things arenβt neatly tied in a bow at the end. This is refreshing. And just as Iβve done with the powerhouse trio, I will be finding more of Kettleβs work to gobble and Iβll be returning to βThe Boy I Amβ for a second reading.
Rating: β€οΈβ€οΈβ€οΈβ€οΈβ€οΈ
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The Thursday Murder Club by Richard Osman

I have a great Aunty who I can utterly picture as a member of the Thursday Murder Club. Any family members reading this blog will figure out who, if they give the book a try…
This novel is a kitsch gift of British idiosyncrasy, wrapped up in Christie-esque gift paper with a sufficiently intricate bow of twists and turns to keep you surprised.
Itβs witty, clever, refreshing and, at the same time, familiar. Helen and I listened to it together via Audible and I was frequently frustrated when I had to wait for her to be available so we could continue.
As a whodunnit, I canβt really comment on the plot for fear of spoilers. The premise seems quaint but it works: a small group of mature folks living in a swanky retirement village form a club that solve cold cases. For fun.
The second book is expected in September and we both canβt wait.
Rating: β€οΈβ€οΈβ€οΈβ€οΈβ€οΈ
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The Girls Iβve Been by Tess Sharpe

This was another ARC from Netgalley. Iβve been really fortunate with my book options this month, so far… lots of top quality stories.
Ah. Itβs one of those reviews where I canβt actually comment on the details for fear of ruining it for someone else.
What can I tell you? Itβs a very clever YA thriller with an unusual protagonist. Very clever. Very, very clever.
Cleverness example 1. There are two timelines: the present moves nearly minute by minute and itβs tense; the past doesnβt always progress chronologically – sometimes itβs in reverse. It sounds complicated but it works effectively and Sharpe signposts the timeline so you donβt get lost.
Cleverness example 2. It feels pacy and action based but, when you reach the end, you realise itβs not actually plot-driven. Really, itβs a deftly handled character exploration that tricks you into thinking a lot is happening. Sneaky.
Cleverness example 3. It doesnβt end when or where youβd expect it to.
Cleverness example 4. Sharpe uses a lot of devices without it seeming forced: audio transcripts, therapy sessions, memories, lists, patterns.
Retailers are advertising it at readers 12yrs+ Whilst itβs chalked up as YA, I think any adult who likes this genre would appreciate the novel. Despite the age of the protagonist, I frequently forgot it was targeted at a YA audience. Moreover, Iβd argue that a level of maturity is needed as the novel deals with physical, emotional and sexual abuse. So Iβd apply caution when recommending it to younger readers.
Overall, itβs a brilliantly clever story. I know I said that already but I finished it four hours ago and Iβm still sitting here thinking about its cleverness. Or, I should say, Sharpeβs cleverness: sheβs aptly named.
Rating: β€οΈβ€οΈβ€οΈβ€οΈβ€οΈ































